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The method is the most simple imaginable and at the same time the most perfect. Composed by Johann Sebastian Bach, Capellmeister to his Serene Highness the Prince of Anhalt-Cöthen Bach's formal training as a musician started when he was enrolled as a chorister at the Michaelskirche in Lüneburg in 1700–1702.Nowhere is the Dürer-like character of his musical style so evident as in these small chorale preludes. Manuscripts in Bach's hand recently discovered in Weimar by the Bach scholars Peter Wollny and Michael Maul show that while in Lüneburg he studied the organ with Georg Böhm, composer and organist at the Johanniskirche.
This chorale prelude is a canon at the octave in the soprano and tenor voices, with the tenor entering one bar after the soprano.
The chorale preludes form the first of Bach's masterpieces for organ with a mature compositional style in marked contrast to his previous compositions for the instrument.
Although each of them takes a known Lutheran chorale and adds a motivic accompaniment, Bach explored a wide diversity of forms in the Orgelbüchlein.
Dem Höchsten Gott allein' zu Ehren, Dem Nechsten, draus sich zu belehren. After a brief spell in Weimar as court musician in the chapel of Johann Ernst, Duke of Saxe-Weimar, Bach was appointed as organist at St.
Boniface's Church (now called the Bachkirche) in Arnstadt in the summer of 1703, having inspected and reported on the organ there earlier in the year.
The mystery of the coming of the Saviour is reflected by the somewhat hidden cantus firmus, over harmonies constantly reinventing themselves.
It is less predictable and regular than other settings of the same hymn by Bach or predecessors like Buxtehude, only the second and third lines having any regularity.
It dates from 1705 and possibly was prepared for Bach's visit to Lübeck.
The Orgelbüchlein is simultaneously a compositional treatise, a collection of liturgical organ music, an organ method, and a theological statement.
The Orgelbüchlein has a four-fold purpose: it is a collection of organ music for church services, a treatise on composition, a religious statement, and an organ-playing manual.
A further step towards perfecting this form was taken by Bach when he made the contrapuntal elements in his music a means of reflecting certain emotional aspects of the words.
In 1705–1706 he was granted leave from Arnstadt to study with the organist and composer Dieterich Buxtehude in Lübeck, a pilgrimage he famously made on foot. Blasius' Church in Mühlhausen, before his second appointment at the court in Weimar in 1708 as concertmaster and organist, where he remained until 1717.